Yudhisthira Maharaja said, “0 Supreme Lord, I have heard from You the explanation of Amalaki Ekadasi, which occurs during the light fortnight of the month of Phalguna [February-March], and now I wish to hear about the Ekadasi that occurs during the dark fortnight of the month of Caitra [March-April]. What is its name, 0 Lord, and what results can one attain by observing it?”

The Supreme Personality of Godhead, Lord Sri Krsna, replied, “0 best of kings, for the benefit of everyone I shall gladly describe to you the glories of this Ekadasi which is known as Papamocani. The history of this Ekadasi was once narrated to the emperor Mandhata by Lomasa Risi. King Mandhata addressed the risi, ’0 great sage, for the benefit of all people, please tell me the name of the Ekadasi that occurs during the dark fortnight of the month of Caitra, and please explain the process for observing it. Also, please describe the benefits one gains by observing this Ekadasi.’

“Lomasa Risi replied, ‘The Ekadasi that occurs during the dark part of the month of Caitra is named Papamocani Ekadasi For the faithful devotee it removes the influences of ghosts and demons. 0 lion among men, this Ekadasi also awards the eight perfections of life, fulfills all kinds of desires, purifies one’s life of all sinful reactions, and makes a person perfectly virtuous.
“Now please listen to a historical account concerning this Ekadasi and Citraratha, the chief of the Gandharvas [heavenly musicians]. During the spring season, in the company of heavenly dancing girls, Citraratha once came upon a beautiful forest bursting forth with a great variety of flowers. There he and the girls joined other Gandharvas and many Kinnaras, along with Lord Indra himself, the king of heaven, who was enjoying a visit there. Everyone felt that there was no better garden than this forest. Many sages were also present, performing their austerities and penance The demigods particularly enjoyed visiting this celestial garden during the months of Caitra and Vaisakha [April-May].”

‘A great sage named Medhavi resided in that forest, and the very attractive dancing girls would always attempt to seduce him. One famous girl in particular, Manjughosa, contrived many ways to allure the exalted muni, but out of great respect for the sage and fear of his power, which he had attained after years and years of asceticism, she would not come very close to him. At a spot two miles from the sage, she pitched a tent and began singing very sweetly as she played a tamboura. Cupid himself became excited when he saw and heard her perform so nicely and smelled the fragrance of her sandal-paste unguent. He remembered his own unfortunate experience with Lord Siva and decided to take revenge by seducing Medhavi.’

“Using the eyebrows of Manjughosa as a bow, her glances as a bowstring, her eyes as arrows, and her breasts as a target, Cupid approached Medhavi in order to tempt him to break his trance and his vows. In other words, Cupid engaged Manjughosa as his assistant, and when she looked at that powerful and attractive young sage, she also became agitated by lust. Seeing that he was highly intelligent and learned, wearing a clean white brahmana’s thread draped across his shoulder, holding a sannyasi’s staff, and sitting handsomely in the asrama of Cyavana Risi Manjughosa came before him.“

‘She began to sing seductively, and the small bells on her belt and around her ankles, together with the bangles on her wrists, produced a delightful musical symphony. The sage Medhavi was enchanted. He understood that this beautiful young woman desired union with him, and at that instant Cupid increased his attraction for Mahjughosa by releasing his powerful weapons of taste, touch, sight, smell, and sound.

“Slowly Manjughosa approached Medhavi, her bodily movements and sweet glances attracting him. She gracefully put her tamboura down and embraced the sage with her two arms, just as a creeper winds itself around a strong tree. Captivated, Medhavi gave up his meditation and decided to sport with her-and instantly his purity of heart and mind abandoned him. Forgetting even the difference between night and day, he went away with her to sport for a long, long time.“

‘Seeing that the young yoga’s sanctity had become seriously eroded, Manjughosa decided to abandon him and return home. She said, “0 great one, please permit me to return home.”

Medhavi replied, “But you have only just arrived, 0 beautiful one. Please stay with me at least until tomorrow.”
“‘Fearful of the sage’s yogic power, Manjughosa stayed with Medhavi for precisely fifty-seven years, nine months, and three days, but to Medhavi all this time seemed like a moment. Again she asked him, “Please permit me to leave.”

‘Medhavi replied, “0 dear one, listen to me. Stay with me for one more night, and then you may leave tomorrow morning. Just stay with me until after I have performed my morning duties and chanted the sacred Gayatri mantra. Please wait until then.”
“Manjughosa was still fearful of the sage’s great yogic power, but she forced a smile and said, “How long will it take you to finish your morning hymns and rituals? Please be merciful and think of all the time you have already spent with me.”

“The sage reflected on the years he had been with Manjughosa and then said with great astonishment, “Why, I have spent more than fiftyseven years with you!” His eyes turned red and began to emanate sparks. He now regarded Manjughosa as death personified and the destroyer of his spiritual life. “You rascal woman! You have turned all the hard-earned results of my austerities to ashes!” Trembling with anger, he cursed Manjughosa “0 sinful one, 0 hard-hearted, degraded one! You know only sin! May all terrible fortune be yours! 0 rascal woman, I curse you to become an evil hobgoblin pisaca!”
“Cursed by the sage Medhavi, the beautiful Manjughosa humbly beseeched him, “O best of the brdhmanas, please be merciful to me and revoke your curse! 0 great one, it is said that association with pure devotees gives immediate results but their curses take effect only after seven days. I have been with you for fifty-seven years, 0 master, so please be kind to me!”

“Medhavi Muni replied, “0 gentle lady, what can I possibly do? You have destroyed all my austerities. But even though you have done this sinful deed, I shall tell you a way you can be released from my wrath. In the dark fortnight of the month of Caitra there is an allauspicious Ekadasi that removes all one’s sins. Its name is Papamocani, 0 beautiful one, and whoever fasts on this sacred day becomes completely freed from having to take birth in any kind of devilish form.”
”With these words, the sage left at once for his father’s asrama. Seeing him enter the hermitage, Cyavana Muni said, “0 son, by acting unlawfully you have squandered the wealth of your penances and austerities.”
“Medhavi replied, “O Father, kindly reveal what atonement I must perform to remove the obnoxious sin I have incurred by privately associating with the dancing girl Manjughosa”
“Cyavana Muni answered, “Dear son, you must fast on Papamocani Ekadasi. which occurs during the dark fortnight of the month of Caitra. It eradicates all sins, no matter how grievous they may be.”

“Medhavi followed his father’s advice and fasted on Papamocani Ekadasi. Thus all his sins were destroyed and he again became filled with excellent merit. Similarly, Manjughosa observed the same fast and became free of the hobgoblin curse. Ascending once again to the heavenly spheres, she too returned to her former position.’
“Lomasa Risi continued, ‘Thus, 0 king, the great benefit of fasting on Papamocani Ekadasi is that whoever does so with faith and devotion will have all his sins completely destroyed.’
Sri Krsna concluded, “0 King Yudhisthira, whoever reads or hears about Papamocani Ekadasi. obtains the very same merit he would get if he donated a thousand cows in charity, and he also nullifies the sinful reactions he may have incurred by killing a brahmana, killing an embryo through abortion, drinking liquor, or having sex with his guru’s wife. Such is the incalculable benefit of properly observing this holy day of Papamocani Ekadasi, which is so dear to Me and so meritorious.”

Thank you Minesh Mehta for sharing this story.

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We have Shrinathji Charitramrut Katha @ BAYVP temple by Vrajraj Goswami. Please look at below flyer.

Madhurashtakam By Shri Vallabhacharya: (Watch video at bottom of this post)

adharam madhuram vadanam madhuram
nayanam madhuram hasitam madhuram
hrdayam madhuram gamanam madhuram
madhuradi-pater akhilam madhuram

“His lips are sweet, His face is sweet. His eyes are sweet, His smile is sweet. His heart is sweet, His walk is sweet. Everything is sweet about the Lord of sweetness.” (1)

vacanam madhuram caritam madhuram
vasanam madhuram valitam madhuram
calitam madhuram bhramitam madhuram
madhuradi-pater akhilam madhuram

“His words are sweet, His character is sweet. His garments are sweet, His navel is sweet. His movement is sweet, His wanderings are sweet. Everything is sweet about the Lord of sweetness.” (2)

venur madhuro renur madhurah
panir-madhurah padau madhurau
nrtyam madhuram sakhyam madhuram
madhuradi-pater akhilam madhuram

“His flute is sweet, His dust is sweet. His hands are sweet, His feet are sweet. His dancing is sweet, His friendship is sweet. Everything is sweet about the Lord of sweetness.” (3)

gitam madhuram pitam madhuram
bhuktam madhuram suptam madhuram
rupam madhuram tilakam madhuram
madhuradi-pater akhilam madhuram

“His singing is sweet, His yellow dress is sweet. His eating is sweet, His sleeping is sweet. His form is sweet, His tilaka is sweet. Everything is sweet about the Lord of sweetness.” (4)

karanam madhuram taranam madhuram
haranam madhuram ramanam madhuram
vamitam madhuram samitam madhuram
madhuradi-pater akhilam madhuram

“His activities are sweet, His liberation is sweet. His thieving is sweet, His loving sports are sweet. His offerings are sweet, His peacefulness is sweet. Everything is sweet about the Lord of sweetness.” (5)

gunja madhura mala madhura
yamuna madhura vici madhura
salilam madhuram kamalam madhuram
madhuradi-pater akhilam madhuram

“His gunja-mala is sweet; His flower-garland is sweet. Is Yamuna is sweet, His ripples are sweet. His water is sweet, His lotuses are sweet. Everything is sweet about the Lord of sweetness.” (6)

gopi madhura lila madhura
yuktam madhuram bhuktam madhuram
hrstam madhuram sistam madhuram
madhuradi-pater akhilam madhuram

“His Gopis are sweet, His pastimes are sweet. His meeting is sweet, His food is sweet. His happiness is sweet, His etiquette is sweet. Everything is sweet about the Lord of sweetness.” (7)

gopa madhura gavo madhura
sastir madhura srstir madhura
dalitam madhuram phalitam madhuram
madhuradi-pater akhilam madhuram

“His cowherd boys are sweet, His cows are sweet. His herding-stick is sweet, His creation is sweet. His trampling is sweet; His fruitfulness is sweet. Everything is sweet about the Lord of sweetness.” (8)

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The main darshan of the day is Rajbhog, and the most elaborate. Shrinathji is seen in his entire majestic splendor. Before the darshans open, one hears the call of the sevak to fetch Shrinathji’s mala quickly. This is done because when Shrinathji lived in Govardhan, his garden was at a distance and the pujari had to call out loudly for his mala. As a routine, this is the signal for the darshans to open. After the call for Shrinathji’s mala, Shivji (Shiva) is called for taking Shrinathji’s darshans. It is believed that Shivji is seated on the round semicircle in the Dolti Bari or darshan gallery, doing Shrinathji’s darshans. That is why no one should step on the circle during these darshans. This darshan is open for a longer time than the others.

Note: Excerpt from ‘In Adoration of Krishna: Pichwais of Shrinathji – Tapi Collection’ by Kalyan Krishna and Kay Talwar.